Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
21 piano sonatas, 27 piano concertos, 41 symphonies, 18 masses, 13 operas, 9 oratorios and cantata, 2 ballets, 40 plus concertos for various instruments, string quartets, trios and quintets, violin and piano duets piano quartets, and the songs. This astounding output includes hardly one work less than a masterpiece.
It may be that when the angels go about their task praising God, they play only Bach. I am sure, however, that when they are together en famille they play Mozart.
Mozart creates music from a mysterious center, and so knows the limits to the right and the left, above and below. He maintains moderation.
Mozart's music always sounds unburdened, effortless, and light. This is why it unburdens, releases, and liberates us.
Mozart's music is an invitation to the listener to venture just a little out of the sense of his own subjectivity.
Mozart's music is free of all exaggeration, of all sharp breaks and contradictions. The sun shines but does not blind, does not burn or consume. Heaven arches over the earth, but it does not weigh it down, it does not crush or devour it.
Mozart combines serenity, melancholy, and tragic intensity into one great lyric improvisation. Over it all hovers the greater spirit that is Mozart's — the spirit of compassion, of universal love, even of suffering — a spirit that knows no age, that belongs to all ages.
Mozart's music is constantly escaping from its frame, because it cannot be contained in it.